Surf Art by Peter Eglington The Surf Paintings of Peter Eglington
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God of Wealth

God of Wealth

Dreaming of Paradise at the Altar of the Astral Reefs
Oil and Tempera [Old Masters Technique] - 75" x 48"

Here the traditional Hawaiian God of wealth symbolises the wealth of experience that comes after many decades of surfing the planet's oceans.

From his pipe rises the criss-cross pattern of traditional Maori culture which symbolises the joining of cultures. Surfing has spread from its earliest Polynesian roots to become embraced by many world cultures which are now becoming inextricably linked to the Hawaiian sport of Kings. In many ways this is thanks to Duke Kahanamoku who is pictured atop this pattern with his hands on his hips as he gracefully introduces surfing to Australia on December 23, 1914 at freshwater beach. Just to the left of this You see the traditional Hei-Matau of the Maori which represents strength, prosperity, abundance, fertility and respect for the Sea as well as Power, Authority, Good Luck and safety when traveling over water. Here again we see the Duke carrying a small western child on his shoulders whilst surfing at Waikiki.

The smoke curls up in either direction to the spirals known as korus which symbolise Peace, Tranquility, Spirituality, Regrowth and new beginnings. Here the latest generation of surfers continue to push the limits of surfing.

On the pipe base is an image of Bob McTavish surfing Honolua Bay in 1967. Most Australians see McTavish along with George Greenough as being visionaries of the time in that they dreamt of and created boards and fin systems that would take surfing into the next realm at that time.The pipe is meant to symbolise the power of vision and imagination with their ability to create new realities.

Within the coils of the pipe is the enigmatic Michael Peterson , a symbol of both inspired surfing as well as the dangers of undisciplined indulgence.

Nearby the pipe is the classic and legendary Gerry Lopez soul arching at the Pipeline. So much style and forever cool in the midst of it all. He is the modern embodiment of the ancient spirit of Aloha.

The largest figure is inspired from a photograph of Sunny Garcia surfing Kirra taken by Jane Lewis which appeared in Groundswell Magazine Volume 3 issue 2. He is giving a peace sign which should serve as a lesson to us all as surfing gains in popularity and the crowd factor continues to increase.
 

 
This painting is available as a poster.
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